Uncut: Oscar Winning DP of “All The Empty Rooms”
The Full Uncut Interview with Matt Porwoll In this full, uncut conversation, Darren Durlach sits down with cinematographer Matt Porwoll to break down the making of an emotionally complex documentary—from shooting vérité with a minimal footprint to capturing moments...
Delivering a Nationwide Impact Series on a Compressed Timeline
Case Study: Annie E. Casey Foundation The Challenge The project centered on telling the stories of four grantees supported by the Annie E. Casey Foundation, each located in a different part of the country. The goal was simple on paper: create a video series that...
How I Use Dehancer Without Being a Colorist (A Simple Film Look Workflow)
By Darren Durlach I am not a colorist. And I do not want to be one. But as an occasional solo filmmaker and small business owner I cannot always afford to hire one. A lot of the time I am shooting and editing my own work, and I just need my footage to stop looking...
17-day shoot in the Grand Canyon with no power
By Darren Durlach This week on Get in the Van, we sat down with director Dana Romanoff to talk about one of the most ambitious documentary shoots you can imagine: 17 days floating through the Grand Canyon, no generators, no drones, no battery recharging—and no second...













